Born 1983 in Paris, lives and works in Paris
juliette dot bonneviot (at) gmail dot com
2002-2008 MFA â Ecole Nationale SupĂ©rieure des Beaux-Arts de Paris (DNSAP)
â Press review
2015
Xenoestrogens, Autocenter, Berlin
2014
Minimal Jeune Fille, Wilkinson Gallery, London
2012
Last Spring/Summer, Juliette Bonneviot and Aude Pariset, Les Urbaines, Lausanne
Shanghai Gesture 2, Wilkinson Gallery, London
Pumping Dancers, CEO, Malmö
2011
Pink Pink Stink Nice Drink, Circus, Berlin
Shanghai Gesture, Mark & Kyoko, Berlin
2010
Succubus, Juliette Bonneviot & Aude Pariset, PMgalerie, Berlin
2022
Elephant’s leg, Tonus, Paris
2020
Your friends and neighbors, High Art, Paris
2018
Crash Test, curated by Nicolas Bourriaud, MO.CO. Montpellier Contemporain, Montpellier
Polymeric lust, Display, Berlin
Body echo, NıCOLETTı, Paris
2017
Le RĂȘve des Formes, Palais de Tokyo, Paris
Safe to drink, Museum Kurhaus Kleve, Kleve
(Dys)-tropism, Super Dakota, Brussels
2016
Inflected Objects # 2 Circulation â Otherwise, Unhinged, Future Gallery, Berlin
Abstract Sex, CCS, Bard College, Annandale-On-Hudson
Me, Inc., Rotwand – Sabina Kohler & Bettina Meier-Bickel, Zurich
The Green Ray, curated by Andrew Hunt, Wilkinson Gallery, London
When The Catâs Away, Abstraction, Anna Jill Lupertz Gallery, Berlin
Sophia’s Potluck, hotel-art.us, Berlin
Young Girl Reading Group Show, curated by Julia Moritz & YGRG, ArtGenĂšve, Geneva
2015
Co-Workers, MusĂ©e dâArt Moderne, Paris
Looks, ICA, London
Percussive Hunter, Akbank Sanat, Istanbul
âWhatever man built could be taken apartâ: Image / Order, NAK, Wiesbaden
Mankind/machinekind, Krinzinger Projekte, Vienna
The Vacancy, Galerie Crone, Berlin
New Needs, curated by Rosa Rendl and Isabella Ritter, Pavilion curated by HHDM, Haus Wittman, Etsdorf am Kamp, Austria
X is Y, Sandy Brown, Berlin
Les Oracles, curated by Marisa Olson, XPO Gallery, Paris
IMMUNITY (chorus), Vault, Berlin
Curatron #4, Platform Stockholm, Stockholm
2014
nature after nature, Kunsthalle Fridericianum, Kassel
Art Post-Internet, curated by Karen Archey and Robin Peckham, UCCA, Beijing
Uplifting of Destruction, curated by EloĂŻse Bonneviot and Anne de Boer, Jupiter Woods, London
Plastic Age, Faszination und Schrecken eines Materials in Kunst und Wissenschaft, Eres Foundation, Munich
Call Me On Sunday, Krinzinger Projekte, Vienna
High Lure Image Content, co-curated by Julie Grosche and Sara Knox Hunter, ÎÎΊ, Richmond
BASIC ZONE, curated by Alessandro Bava, Casamadre Arte Contemporeana, Naples
Nostalgia, Glasgow International, Glasgow
Fight, Center, Berlin
Forza Minibar, Minibar Art Space, Stockholm
They Live, Shanaynay, Paris
2013
Entre-temps…, Brusquement, Et ensuite, 12e Biennale de Lyon, Lyon
Where Narrative Stops, Wilkinson gallery, London
False Optimism, Crawford Art Gallery, Cork
Analogital, Utah Museum of Contemporary Art, Salt Lake City
Light Box 10, Project Number, London
Surface Tension, Galerie Andreas Huber, Vienna
Sallie Gardner: A Group Exhibition, Michael Thibault Gallery, Los Angeles
The Mediterranean Dog, curated by Elise Lammer, Cole, London
Yellowing of the Lunar Consciousness, Massimodeluca, Venice
How Many Eyeballs Tame Complexity, curated by Ben Vickers, BiennaleOnline
4., CEO, Malmö
After School Special, performance, Bergen Kunsthall, Bergen
Gordian Conviviality, curated by Max Schreier, Import Projects, Berlin
2012
The Dark Cube, Palais de Tokyo, Paris
Very abstract and really figurative, Galerie Emanuel Layr, Vienna
entrance 1, entrance 2, Temple Bar Gallery, Dublin
Can’t Touch This, curated by Karen Archey, Art Micro Patronage
2012, curated by Lindsay Jarvis, The Mews Project Space, London
July, CEO, Malmö
Business Innovations for Ubiquitous Authorship, curated by Artie Vierkant, Higher Pictures, New York
Entourage Vip Backstage, curated by Ilja Karilampi, Arbeitsgemeinschaft ZĂŒricher Bildhauer, Zurich
Bcc #7, Stadium, New York
Twothousandtwelve, CEO, Malmö
2011
Rhododendron (ii), Space, London
Based In Berlin, Monbijou Park, Berlin
Where Language Stops, Wilkinson Gallery, London
Rhododendron, W139, Amsterdam
Metrospective 1.0, Future Gallery and PROGRAM, Berlin
Amerika, AmĂ©rica, AmĂ©rique! , presented by Mark&Kyoko, Cleopatra’s Berlin, Berlin
Venus in a shell, Fluxia, Milan
A Painting Show, Autocenter, curated by Aaron Moulton, Berlin
Land Art For A New Generation, Showroom Mama, (show and residency), Rotterdam
Travelin’ light, curated by Felisa Funes, Grimmuseum
2010
Sculpture Storage, La MaMa Gallery and Cooper Union School of Art, New-York
The Bar, Kunsthalle Athena, Athens
Dust Snow, Winter Sculpture Parc, Poznan
Almeria to BĂ©ziers to Newquay, Darsa Comfort, Zurich
BYOB, curated by Anne de Vries & Rafaël Rozendaal , Bureau Friederich projectstudio, Berlin
Distorted Viewport, curated by Spiros Hadjidjanos, Forgotten Bar, Berlin
Exhibition IV, curated by 10/2/10, Berlin
Rapidshare curated by Isaac Bigsby Trogdon, Atelierhof Kreuzberg, Berlin
Domestica II, curated by Antoni Hervas Cortes, Barcelona
Enchanted, School of Development, Berlin
Exhibition I, curated by 10/2/10 (Alex Freedman, Annice Kessler, Kathryn Politis and Claudia Rech),Kim bar, Berlin
Sculpture Storage, La MaMa Gallery curated by The Cave and The Cooper Union School of Art, New York
2009
Women Get Fucked, Alogon Gallery, Chicago Project Room, Chicago
Sallyâs, Atelierhof Kreuzberg, Berlin
Das 2. Dragoner Regiment im Jahr 2009, Atelierhof Kreuzberg, Berlin
Domestica, curated by Antoni Hervas Cortes, Barcelona
2008
XYZ, Atelierhof, Berlin
2018
Speculations on Anonymous Materials, Nature after Nature, Inhuman, Koenig Books, ISBN : 9783863357320
Crash Test â The Molecular Turn, Les Presses Du RĂ©el, ISBN : 978-2-490123-01-8
2016
Intersubjectivity Vol. 1 Language and Misunderstanding, Abraham Adams, Lou Cantor (Eds.), Sternberg Press, ISBN 978-3-95679-199-4
Aesthetic Politics in Fashion, Elke Gaugele (Ed.), Sternberg Press, ISBN 978-3-95679-079-9
2015
Percussive Hunter, exhibition catalogue, Akbank Sanat International Curator Competition 2014, Akbank Sanat
XenoEstrogens (the Disappearing Male), portfolio, BOMB Magazine
Les Oracles, Marisa Olson and Claire Evans, XPO gallery, ISBN 978 2 9541349 0 1
2014
Art Post-Internet: INFORMATION/DATA by Karen Archey
Plastic Age, Eres Foundation, Munich, ISBN 978-3-00-046784-4
2013
Entre-temps…, Brusquement, Et ensuite, 12e Biennale de Lyon, ISBN : 978-2-84066-648-6
57 CELL issue #2
West Space Journal #1, West Space
2012
Wandering No.1, Wandering Magazine, ISSN: 2235-4417
Linear Manual frontcover, TLTRPreĂ
2011
PWR PAPER #6, PWR PAPER
Larryâs Se7en, Larryâs
2010
Dust Snow, Morava Books, ISBN: 978-83-926924-2-3
2009
Sally’s, Floating Head Publication
2018
Ingrid Luquet Gad. âCrash Testâ Ă La PanacĂ©e : art contemporain et anthropocĂšne, Les Inrockuptibles #1160
La jeune scÚne française du prix Ricard, Numéro art #3
2016
Melanie BĂŒhler. Upcycling Zonder Ophouden, Metroplis M, Issue #4, August September
Christa Benzer. New Materialism, Springerin, Issue #1/16
2015
Chloe Stead. Plastic Surgery, Frieze d/e, Issue #21
BenoĂźt Lamy de La Chapelle. Redefining life Post Human, twenty years later, 02
Elena Gilbert. Domestic Unrest, Sleek, Issue #44, Winter
2014
Eleanor Nairne. Juliette Bonneviot, Frieze Magazine Issue #162, April
Alessandro Bava. Basic Zone, Novembre Magazine, Issue #9, Spring/Summer
Jean Kay. A retrospective reading of Linear Manuel, aqnb
2013
Elvia Wilk. Gordian Conviviality, Frieze d/e Issue #10, June August
Pablo Larios. Meet Berlin-based artist Juliette Bonneviot, Kaleidoscope blog
2012
Coline Milliard. Digital Gets Physical at Dublinâs Temple Bar Gallery, Blouin Artinfo
Amy Knight. Juliette Bonneviot, Symbol, Paper For New Art, Issue #2, Summer
Orit Gat. Artist Profile: Juliette Bonneviot, Rhizome
Natalie Esteve. Follow ‘Les Urbaines’, Kaleidoscope blog
2011
Karen Archey. Nett ist die kleiner Schwester von ScheiĂe, Rhizome
Jens Hinrichsen. Warum immer woanders?, Monopol
2016
Ars Viva 2016, nominee
2010
Etat de choses, co-curating with Aude Pariset, Darsa Comfort, Zurich
Enchanted, School of Development, Berlin